{"id":132,"date":"2023-03-15T17:19:51","date_gmt":"2023-03-15T16:19:51","guid":{"rendered":"http:\/\/tdi_120_818"},"modified":"2024-04-16T01:09:23","modified_gmt":"2024-04-15T23:09:23","slug":"la-peinture-en-charge-dans-allah-nest-pas-oblige-dahmadou-kourouma","status":"publish","type":"post","link":"https:\/\/fondationleopoldsedarsenghor.org\/index.php\/2023\/03\/15\/la-peinture-en-charge-dans-allah-nest-pas-oblige-dahmadou-kourouma\/","title":{"rendered":"LA PEINTURE EN CHARGE DANS ALLAH N\u2019EST PAS OBLIG\u00c9 D\u201fAHMADOU KOUROUMA"},"content":{"rendered":"\n<p><strong>Bibliographie<\/strong><br>BARTHES, Roland, \u00ab \u00c9l\u00e9ments de s\u00e9miologie \u00bb, Communications, n\u00b0 4, 1964. BONNET, V\u00e9ronique, \u00ab<br>Histoires du f\u00e9minin, discours du f\u00e9minin dans l\u201f\u0153uvre d\u201fAhmadou Kourouma \u00bb, \u00c9tudes fran\u00e7aises,<br>vol. 42, n\u00b0 3,<br>Montr\u00e9al : Les Presses de l\u201fUniversit\u00e9 de Montr\u00e9al, 2006, p. 109-121.<br>HALEM, Pierre, \u00ab L\u201fenfant-soldat vu par la fiction africaine : \u00e0 propos de La Guerre et la paix de<br>Moni-Mambu par Andr\u00e9 Lye Yoka \u00bb, \u00c9tudes litt\u00e9raires africaines, n\u00b0 32, Association pour l\u201f\u00c9tude des<br>Litt\u00e9ratures Africaines (APELA), 2011, p. 91-104.<br>JOUVE, Vincent, L\u2019effet-personnage dans le roman, Paris : PUF, 1992. KOMLAN GBANON, S\u00e9lou,<br>\u00ab La travers\u00e9e des signes : roman africain et renouvellement du discours \u00bb, Revue de l\u2019Universit\u00e9 de<br>Moncton, vol. 37, n\u00b0 1, p. 54.<br>KON\u00c9, Amadou, \u00ab L\u201feffet de r\u00e9el dans les romans de Kourouma \u00bb, \u00c9tudes fran\u00e7aises, vol. 31, n\u00b0 1,<br>Montr\u00e9al : Les Presses de l\u201fUniversit\u00e9 de Montr\u00e9al, 1995, p. 13-22.<br>KOUROUMA, Ahmadou, Quand on refuse on dit non, Paris, Seuil, 2004.<br>KOUROUMA, Ahmadou, Allah n\u2019est pas oblig\u00e9, Paris : Seuil, 2000.<br>KOUROUMA, Ahmadou, Monn\u00e8, outrages et d\u00e9fis, Paris : Seuil, 1990. KOUROUMA, Ahmadou, Les<br>Soleils des ind\u00e9pendances, Montr\u00e9al : Les<br>Presses de l\u201fUniversit\u00e9 de Montr\u00e9al, 1968 ; Paris : Seuil, 1970-1976-1990.<br>OU\u00c9DRAOGO, Jean et DAKOUO, Yves, Allah n\u2019est pas oblig\u00e9 d\u2019Ahmadou Kourouma, ACEL et<br>Infolio \u00c9ditions, 2011.<br>SEMUJANGA, Josias, \u00ab De l\u201fafricanit\u00e9 \u00e0 la transculturalit\u00e9 : \u00e9l\u00e9ments d\u201fune critique litt\u00e9raire<br>d\u00e9politis\u00e9e du roman \u00bb, \u00c9tudes fran\u00e7aises, vol. 37, n\u00b0 2, 2001, Montr\u00e9al, Les Presses de l\u201fUniversit\u00e9<br>le Montr\u00e9al, p. 133-156.<br>TCHEUYAP, Alexis, \u00ab Le litt\u00e9raire et le guerrier : Typologie de l\u201f\u00e9criture sanguine en Afrique \u00bb,<br>\u00c9tudes litt\u00e9raires, vol. 3, n\u00b0 1, D\u00e9partement des Litt\u00e9ratures de l\u201fUniversit\u00e9 de Laval, 2003, p. 13-28.<\/p>\n\n\n\n<p><strong><em>DOI<\/em><\/strong>:<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/fondationleopoldsedarsenghor.org\/wp-content\/uploads\/2023\/04\/LA-PEINTURE-EN-CHARGE-DANS-ALLAH-N.pdf\">Cliquez ici pour telecharger l&#8217;article <\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>BibliographieBARTHES, Roland, \u00ab \u00c9l\u00e9ments de s\u00e9miologie \u00bb, Communications, n\u00b0 4, 1964. BONNET, V\u00e9ronique, \u00abHistoires du f\u00e9minin, discours du f\u00e9minin dans l\u201f\u0153uvre d\u201fAhmadou Kourouma \u00bb, \u00c9tudes fran\u00e7aises,vol. 42, n\u00b0 3,Montr\u00e9al : [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":272,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18,17,11,1],"tags":[],"class_list":["post-132","post","type-post","status-publish","format-standard","has-post-thumbnail","category-101-litterature","category-numero-101","category-revue","category-tous-les-numeros"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>LA PEINTURE EN CHARGE DANS ALLAH N\u2019EST PAS OBLIG\u00c9 D\u201fAHMADOU KOUROUMA - Leopold Sedar<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fondationleopoldsedarsenghor.org\/index.php\/2023\/03\/15\/la-peinture-en-charge-dans-allah-nest-pas-oblige-dahmadou-kourouma\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"LA PEINTURE EN CHARGE DANS ALLAH N\u2019EST PAS OBLIG\u00c9 D\u201fAHMADOU KOUROUMA - Leopold Sedar\" \/>\n<meta property=\"og:description\" content=\"BibliographieBARTHES, Roland, \u00ab \u00c9l\u00e9ments de s\u00e9miologie \u00bb, Communications, n\u00b0 4, 1964. 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